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Actress Alarey Alsip easily Leni Parker (right) the bays for Outstanding Advance Performance-Actress for Top Girls at the METAs awards on Oct. 20, 2014 at the Rialto in Montreal. John Kenney / Montreal Gazette

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Eric Peterson and Leni Parker took the capital acting awards at the additional annual METAs commemoration at the Rialto Theatre on Monday night.

The Segal Centre production of Caryl Churchill’s Top Girls won the best METAs — Montreal English Theatre Awards — advancing out on top in bristles of 18 categories.

Peterson was called outstanding advance aerialist for portraying Percy Schmeiser, the prairie agriculturalist who fought Monsanto in Annabel Soutar’s Seeds, produced by Porte Parole and presented at Centaur Theatre last season. Peterson lives in Toronto and wasn’t able to accomplish it to Montreal for the METAs.

Parker won the agnate changeable advance amateur accolade for her achievement as Lady Nijo, amid others, in Top Girls.

Soutar accustomed the acting accolade on Peterson’s behalf, giving a abrupt resume of his illustrious career. Highlights accommodate The Farm Show and Billy Bishop Goes to War, as able-bodied as the TV alternation Corner Gas. She acclaimed the METAs board for actuality adventurous abundant to accord the accolade to a civic figure, not alone a bounded one. (Regional peer-juried theatre awards tend against biased choices. The METAs are no exception. )

Julie Tamiko Manning was singled out as the top changeable amateur in a acknowledging role for arena Emilia in the Scapegoat Carnivale production of Othello at the Segal Centre.  Daniel Brochu won for outstanding acknowledging macho achievement for arena Cassio, in the aforementioned assembly of Othello.

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Micheline Chevrier was called outstanding administrator for her assembly of Top Girls at the Segal Centre. But she, too, was clumsy to appear as she is currently administering in Edmonton. Susan Glover accustomed the accolade for Chevrier.

Top Girls also took the META for set architecture (Max Otto-Fauteux), apparel architecture (Mylène Chabrol) and lighting architecture (Martin Sirois).

Imago Theatre’s If We Were Birds, additionally directed by Chevrier, took the honours for best able assembly and complete architecture (Peter Cerone). Talisman Theatre’s booty on Olivier Kemeid’s The Aeneid, directed by Zach Fraser, won in the absolute assembly category.

On the playwriting front, Greg MacArthur (another absentee) won best argument for his Horror Stories presented by Youtheatre.

Baba Alex took the outstanding agreeable agreement accolade for Bhopal, presented by Teesri Duniya at the Segal Centre. The best ensemble META went to Geordie Productions for The Iliad and The Odyssey, at Centaur Theatre.

Aiza Ntibarikure was called as outstanding arising artisan for her role in the Copa de Ora Productions musical Ain’t Misbehavin’ at Segal Centre.

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The first Norma Springford Founder Accolade was accustomed to Elsa Bolam, architect of Geordie Productions and co-founder of Centaur Theatre, for her abiding addition to the association and the art form. It was presented to her by a teary-eyed Dean Patrick Fleming, accepted aesthetic administrator of Geordie Productions. Bolam said this META meant all the added to her because Springford was her mentor.

Stage manager Melanie St. Jacques was accustomed the inaugural Unsung Hero of the Theatre award for her assignment abaft the scenes. Lakeshore Light Opera took the outstanding assembly accolade for association theatre for its assembly of the Gilbert and Sullivan classic, The Yeomen of the Guard.

Holly Gauthier-Frankel and Marcel Jeannin, as c0-hosts of the METAs, kept the brawl rolling with a bit of jest, song and dance, backed up by a bandage led by Nick Carpenter.

Former anchorperson Sharman Yarnell delivered a diffuse accolade to her backward husband, amateur Walter Massey, and mentioned two added afresh asleep actors, Ais Snyder and Kirsten Bishopric.

The METAs, which were accomplished by the Quebec Drama Federation aftermost year, are absolutely honorary. There is no money given, alone a annular metal bronze and abundant applause.

Meanwhile, on Monday night in Toronto, the celebrated Siminovitch Accolade was accustomed to Quebec author Olivier Choinière.

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The Siminovitch Awards, in adverse to the METAs, action a above payout. The champ receives $100,000, $25,000 of which has to be anesthetized on to a called protégé. The accolade is accustomed anniversary year to a director, artist or a playwright, as the categories circle aural a three-year cycle.

Choinière, a 1996 alum of the Civic Theatre School (French section), was article of a aphotic horse candidate, in antagonism with abundant hitters like Michel Marc Bouchard, Hannah Moscovitch and Colleen Murphy.

He chose author Annick Lefebvre (Ce Samedi il pleuvait) to allotment $25,000 of the award.

Until now, Choinière’s capital affirmation to out-of-province acclaim was his comedy Félicité, which premièred at La Licorne in 2007. It was translated into English by Caryl Churchill (Top Girls) as Bliss, and presented at the Royal Court Theatre in London, England. Since again Bliss has been apparent in Scotland, Australia, Toronto and at Centaur Theatre in Montreal.

Prior to that, two of Choinière’s works (Le bain des raines and Venise-en-Québec), were nominated for Governor General’s awards. His Chante avec moi, involving 50 actors endlessly singing the aforementioned song, was a 2010 hit at Espace Libre. Later it was remounted at the Civic Arts Centre in Ottawa and in Montreal, as allotment of the Festival TransAmériques. Choinière, a co-artistic administrator of Theatre Aux Écuries, is additionally accepted for his guided-tour-with-headphones affected techniques.


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